[MacDV] Re type for FCP HD 4.5

Mark M. Florida markf at squareblue.com
Tue May 4 17:01:07 PDT 2004


What's all this talk about the Targa format?  If the final thing is going
out to TIFF anyway, just use TIFFs.  Are you rendering the dissolves
yourself for the TIFF output?  Or just supplying the TIFFs as stills to the
HD place doing the film output?  You might be able to do that...  Although
with the money you'd pay them to do it you could probably buy yourself a
copy of After Effects and you could render it yourself...

Or if you have Final Cut Pro (any version, I believe) you could make a
custom project at the full resolution you're outputting to and use FCP to
render the titles...

- Mark

On 5/4/04 6:28 PM, animal at animal at cuug.ab.ca wrote:

> Richard your experience is such a valuable asset on this list -
> especially for relative newbies like us.
> 
> The entire project will be given to an HD company in TIFF sequences (at
> 24p) to be put onto both 24p and 1080i60 for festivals (hopefully we'll
> get in).  The material originates on 35mm, HD and DV: all shot in
> progressive mode.  The effects are strictly a fade in and fade out
> which we can play around with in Photoshop.
> 
> To make sure I understand:
> If we use Photoshop text:
> 
> 1) Take each Bitmap image save as a Targa format then import it
> into/onto each Tiff image.
> 
> 2) For frames with photoshop text only: Just save them as Tiffs?
> 
> We're using some physically sculpted text that will have their own
> frames for the title that we'll be photographing: When we scan the negs
> we should scan them as Targa files or just into Tiffs?
> 
> Thanks
> Lynn



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