On May 18, 2005, at 19:36, John Erdman wrote: > What's the current good choices for audio capture software compatible > with Tiger? Can't do it on the cheap. Recording is easy -- Audacity <http://audacity.sourceforge.net/download/> is a good tool, and it's free, but a good vinyl-specific noise filter will cost you. SoundSoap (USD 100) is probably consumer-level best; you may also want to look at CD Spin Doctor (bundled with Toast) and FinalVinyl (bundled with iMic), which are essentially recording tools with buil-in noise filters, and significantly cheaper. The procedure is simple. You start by reading, marking, and inwardly digesting the acronym GIGO (Garbage In, Garbage Out). Then you beg, borrow, or steal the best turntable within your reach, lay your hands on the best phono preamp you can get, and use the best interconnects you can afford (or build) to hook up the turntable to the preamp, and the Mac's line input to the preamp's output (not forgetting correct grounding, and remembering it's best to have them all plugged in the same power circuit). Now, recording. Use 44.1kHz/16bit settings, and plan on using roughly 450MB/LP plus scratch space. Ideally, you should have two empty drives, one for scratch space, and another to save the files. Determine the recording level by testing the loudest track on the LP. You should set recording to the highest distortion-free level possible. You do not start/stop the recording; you record a whole side at one go. (You break the up the file into discrete tracks later, either automatically, using the application's built-in facility, or manually.) What format to save in? The standard audio format on the Mac is AIFF, and the standard on Windows is WAVE. They're similar, and virtually all Mac audio editors understand both, but many Windows editors do not understand AIFF. So I vote for WAVE, because, whatever happens, chances are you're always going to find easily something to read WAVE, but not necessarily AIFF. Whether AIFF or WAVE (or indeed ALE), back up your raw files to CDs or DVDs. Optical media is cheap, and you may wish to come back to your raw files with better filters later on, when you have more time, money, or both. So now you have your raw audio files. Apply required filters (normalizing, noise, whatever), set up distinct regions or break it up into discrete tracks, then burn it to audio CD (preferably in DAO mode) with whatever tool you feel comfortable with (Toast, DragonBurn, Discribe, cdrdao), or encode it to some compressed format (MP3, AAC, Ogg). As you can see, doing it well takes some doing. My feeling is that, in most cases, it's less trouble to buy the CD version; only if it's not available on CD is it worth going through this. <0x0192>