All of the "Fotomat" style companies offering Super 8 to video transfers are using film chains. Depending on the particular film chain used, the results go from acceptable to atrocious. We had a 16mm film chain, consisting of a couple 500 pound boxes which stood 7 feet tall. One side was the projector with 2400' reels. The other, the (tube) video unit. It was only acceptable for late night television or to make a video offline for editing. The neat thing about the good ol' days was its massively mechanical nature. This all boils down to what you need out of your material. If your intention is to preserve nostalgia, you have to determine how close to the PROJECTED Super 8 experience you want the video to be. Just about all film chain systems feature hot spots, whereas finding a Super 8 gated Rank would yield the closest to "broadcast quality" possible.. Now, for OLDER Super 8 films, there may be an issue as to fragility, and if footage is brittle, the "hen's tooth" to look for would be a Bosch transfer system tuned to this type of "heritage" transfer. It all has to do with the tension used by the systems. Ranks are generally drum tight, whereas certain Bosch systems can ease off on this "sprocket ripping" pressure. In this increasingly digital age, all this seems like a trip down memory lane. At warp factor 8. Richard Brown (with 2" Quad reels in the attic... somewhere...)