Well, off and on I have been making transparencies/slides Photographs black and white and color negatives, in all sizes for 32 years, with books and books of negatives in sleeves. The Slides are really the best, and since I started getting Kodak Photo CDs made in 1995, I have had varying results with them, as you all can imagine. This one lab, used to send their work from Florida to Texas for them to be made. Rates were high then, too. Once I had to have the images re-made as they were scanned much too darkly. There was a strong tendency for the darks to break down into varying stradations of black posterizations, which would drive me nutz trying to smoooth out. I have been working on PhotoShop since 1993, but never got to scanning slides until early 1995, so KodakPhoto CD was the first scanned slide I ever saw. I then bought a Polaroid SprinScan for $799 in Nov. 1996. It served me well, until I worked in a lab in 1999 where I could use a Nikon Coolscan which scanned better than my Polaroid scanner. I always had more images than I could work with, since I am a fine artist, and really do a lot with images, I make more images from the existing images I've got & and many versions of them. I do understand the problems of trying to preserve one's earlier work, negatives and transparencies, for posterity, sort of like wanting the best possible scans on DVD to put away in the safety deposit box for posterity All of you have been very realistic, down to earth honest with yourselves and each other. It does take a colossal effort to get the images together to take to the lab to have them made to Kodak Photo CD. I have had good results and also bad results. Recently I went to Eckerds in Tampa, FL, had two rolls of Kodachrome processed at Kodak, since they are the only place now in Tampa that does Kodachrome processing, and paid extra for them to be put onto Kodak PhotoCD. The results were really good. So I am encouraged. It was about $1.00 per slide. I think if you find a place that has those Kodak PhotoCD machines and has someone who knows how to use them, then you are best off with that. I remember when they were on Kodak's site being sold, for an incredibly low price. It was for a very short time, and then they were gone, and they weren't selling them any more. I thought I truly missed out on a big opportunity. Sort of like there it was, and then no longer available. I wished I could have bought one of the PhotoCD Writers. Would sure have made my life better, and have paid for itself, with the amount of work I have. I know of one place in Tampa that charges an inordinate amount of money to do KodakPhotoCD's and then there's Eckerds. I don't know of too many other places. The original photo store that sent out my slides to Texas, got bought by Kodak, then was bought by Fox Photo, then closed. I don't know who Ritz Camera sends their KodakPhotoCD's out to do. Perhaps, if searching around through the internet, you may discover a guy with one of these PhotoCD Writer machines in his house, and this is his business. It is worth supporting, if he can support photographers who want their work archived accurately. If anyone has the luck of the draw to find such a person, please share it with me/us. Also, I think the company who can offer to do the images at 50 cents a slide is okay too. I still want to scan my own slides on my Nikon Super Coolscan 4000 ED Digital Film Scanner. I may spring for the slide feeder for $366.98 extra. I am glad that Dan revealed that the slide feeder isn't foolproof/jamproof. I suspected it wasn't. I think doing some of each is worth it. I am not made of money. I get ideas when I am going through my work, and then I go off on a wild track making more art. In the past, in my experience, if I got the particularly desired slides put onto PhotoCD of a project I wanted to make, then so much time passed when I actually got them back and got "to them" that the heat of the moment had worn off, and the project was tabled, or put on the backburner, like some heavy legislation, especially if the reason for making the poster soured with some other business issue with the involved parties, etc. ad nauseum....whatever There is the immediacy of the Slide scanner versus the overland stagecoach letdown factor. That was just one incident. I have gotten CD after CD's that I have filed away, just like the slides were filed away. And actually Organization is my main issue. I actually loved scanning whole negatives and larger negatives on a Heidelberg Linoscan with transparency adapter. The images were of such high resolution that the dust particles became huge bolders and the retouching time was something else. But what a beautiful scan it made of 4x5 and 6x7 size negs and transparencies. Lot of work to de-dust. I have holders of all sizes, but if a neg isn't flat it isn't flat. I loved that tip about the double sided tape. Thanks, June Parlett . on 12/30/02 9:38 PM, Brian Sledz at brianhome at linkus.net wrote: > It really just depends on what your time is worth. Oh yeah the Nikon stuff > says 40 some seconds to scan but do hi res and or ice and you get to 4 > minutes or real life according to the salesman. I figured I coudld go > through each film strip and only scan the good ones but that means a lot of > prepping. This way they scan everything I pick from the cds which ones to > download to iphoto and voila done. > I used to think like you with the saving money by doing it myself, but > still got the rug cleaner in the box in the garage on the way to the > Goodwill.;-] > Brian