Yeah... what he said... Nikon and Canon even make slide copy adapters for their "prosumer" lines of digital cameras. Considering that these cameras are in the 4 megapixel range now, this would give you enough quality to make a decent 8x10 print from these copies, and way more resolution than you'd ever need for video. Just my 2 cents. - Mark On Tuesday, December 31, 2002, at 01:39 AM, Richard Brown wrote: > I have been reading this string for a while. As someone with something > like a million frames, when I include transparencies, negatives, and > digital stills shot over the past 25+ years, I have pondered this same > question. > > The need for mass scanning is really about cataloging, not about > making thousands upon thousands of prepress or print-ready images. As > such, I would suggest no scanner would suffice. In my work in stills > photography, I had a job once to duplicate a series of slide shows > concerning plastic surgery techniques. There would be 50-150 slides or > so, per set, and they had to be duplicated very quickly, no more than > 30-60 minutes per set of slides, and when one was done, the next would > be on the table for duping. > > This was back in the days before CCD's, before even the desktop > scanner, let alone Coolscans or Sprintscans. We had to dupe original > slide to dupe slide, on slide duping film. We simply established a > population color balance for the dupe media using a Nikon slide > duplicator in front of a darkroom dichroic color head, and used > moderate exposure bracketing, based on the condition of the given > original, all based on settings determined for normal, underexposed, > and overexposed sample images. Having had a bunch of experience with > slide duping, we even added some improvements to some of the originals > when possible. We found we could dupe these shows with time to spare. > There was no second chance, as the slides left with the doctors, same > day. The "operation was a success" and was completed without breaking > a sweat. > > Today, with a 35mm CCD camera, a slide duping adapter, and either a > strobe or color head based light source, and with computer or LCD > confirmation, I would think to digitize 35mm slides could be > accomplished at the rate of 200-400 per hour (maybe even more for > large numbers of slides with the same characteristics), at, say, 6 > megapixels with moderate compression. This would engulf 10,000 slides > in a long weekend. But it would be done. The trick would be in the > physical ordering of the slides plus intelligent bulk renaming of the > digital records of same. With a bit of cleverness, the entire process > could be made quite smooth, with the digital record useful in > identifying a given image which might later be scanned properly for > printing or other purpose. Properly executed, however, the images > certainly could be of enough quality to use in a DVD title. You must > keep in mind that non-High Def television is of astonishingly low > resolution. The dupe process I speak of will be far in excess of TV > resolution, and with good down sizing and prep for TV, should be fine > for this purposing. Using the high res files would allow panning, > zooming, and other effects were a fancier slide show on DVD required. > > The caveat I might see in this process would be if the originals > varied wildly. The real difference between professional photography > and snap shooting is in the control of exposure and the predictable, > repeatable, surprise-free outcome when the film is processed. Still, > even with wild variation, this system would record an image, and if > using a continuous light source, the variation may well be tamed > through automatic exposure on the camera. > > Richard Brown