[MacDV] Re: Film Scanners
Mark M. Florida
markflo at mac.com
Tue Dec 31 08:20:48 PST 2002
Yeah... what he said... Nikon and Canon even make slide copy adapters
for their "prosumer" lines of digital cameras. Considering that these
cameras are in the 4 megapixel range now, this would give you enough
quality to make a decent 8x10 print from these copies, and way more
resolution than you'd ever need for video.
Just my 2 cents.
- Mark
On Tuesday, December 31, 2002, at 01:39 AM, Richard Brown wrote:
> I have been reading this string for a while. As someone with something
> like a million frames, when I include transparencies, negatives, and
> digital stills shot over the past 25+ years, I have pondered this same
> question.
>
> The need for mass scanning is really about cataloging, not about
> making thousands upon thousands of prepress or print-ready images. As
> such, I would suggest no scanner would suffice. In my work in stills
> photography, I had a job once to duplicate a series of slide shows
> concerning plastic surgery techniques. There would be 50-150 slides or
> so, per set, and they had to be duplicated very quickly, no more than
> 30-60 minutes per set of slides, and when one was done, the next would
> be on the table for duping.
>
> This was back in the days before CCD's, before even the desktop
> scanner, let alone Coolscans or Sprintscans. We had to dupe original
> slide to dupe slide, on slide duping film. We simply established a
> population color balance for the dupe media using a Nikon slide
> duplicator in front of a darkroom dichroic color head, and used
> moderate exposure bracketing, based on the condition of the given
> original, all based on settings determined for normal, underexposed,
> and overexposed sample images. Having had a bunch of experience with
> slide duping, we even added some improvements to some of the originals
> when possible. We found we could dupe these shows with time to spare.
> There was no second chance, as the slides left with the doctors, same
> day. The "operation was a success" and was completed without breaking
> a sweat.
>
> Today, with a 35mm CCD camera, a slide duping adapter, and either a
> strobe or color head based light source, and with computer or LCD
> confirmation, I would think to digitize 35mm slides could be
> accomplished at the rate of 200-400 per hour (maybe even more for
> large numbers of slides with the same characteristics), at, say, 6
> megapixels with moderate compression. This would engulf 10,000 slides
> in a long weekend. But it would be done. The trick would be in the
> physical ordering of the slides plus intelligent bulk renaming of the
> digital records of same. With a bit of cleverness, the entire process
> could be made quite smooth, with the digital record useful in
> identifying a given image which might later be scanned properly for
> printing or other purpose. Properly executed, however, the images
> certainly could be of enough quality to use in a DVD title. You must
> keep in mind that non-High Def television is of astonishingly low
> resolution. The dupe process I speak of will be far in excess of TV
> resolution, and with good down sizing and prep for TV, should be fine
> for this purposing. Using the high res files would allow panning,
> zooming, and other effects were a fancier slide show on DVD required.
>
> The caveat I might see in this process would be if the originals
> varied wildly. The real difference between professional photography
> and snap shooting is in the control of exposure and the predictable,
> repeatable, surprise-free outcome when the film is processed. Still,
> even with wild variation, this system would record an image, and if
> using a continuous light source, the variation may well be tamed
> through automatic exposure on the camera.
>
> Richard Brown
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