On 1/1/03 1:38 PM, "Richard Brown" <richard at go2rba.com> wrote: > With > the digital cameras like the S1, you do not want to change lenses > too often, as it is simply way too easy to get dust related artifacts > on the CCD, which are only visible when viewed on a computer > screen, which in turn means you do spend some time cleaning > the CCD as a preventive measure in the field, else suffer more > (unnecessary) work in Photoshop. This dust related problem > happens even when you're CAREFUL. Olympus E-10 & E-20 literature makes a big deal about the advantage of a fixed lens in digital photography, and claims that conventional CCD elements present a honeycomb surface which tends to catch & hold microscopic dust particles. Cleaning the CCD in digital SLR cameras is a major, major issue. I'm curious exactly how the Sigma SD9 dust barrier works. Would it be possible to put the CCD in a sealed compartment, with an optically clear barrier well forward of the CCD, so as to throw any dust present completely out of focus? In the late 60's, Canon used to make a SLR camera called the Pellix which used a fixed semi-silvered surface in place of an instant return mirror. This "pellical mirror" passed light both to the viewfinder and to the film simultaneously. Later, they incorporated a refined version of this concept into a special purpose pro SLR, a Canon F1 modified with a non-removable high speed motor drive (something like 9 fps). Many motion picture cameras have contained similar optical blocks, to allow simultaneous SLR viewing and film exposure. The potential tradeoffs would appear to be image quality, lower viewfinder brightness, and less light available for exposure. At any rate, it would appear that an optical assembly could be sealed to prevent dust at the image plane, the point of focus. Or is the optical block in HiDef video cameras an impediment to image quality? BTW - the conclusion of the dpreview.com review for the the Sigma SD9 faulted the camera for sloppy quality control, with dust present on the CCD of a brand new camera. Danny Grizzle