Learning the format of feature screenwriting takes about 10 minutes. You need to set a total of 3 primary, and one optional tab stop. That's it. Which words to USE are the problem. I have written produced screenplays way back when on Atari FirstWord, People write them longhand and hire typists. How you write the script and what program used is always irrelevant next to intent and determination. The day you fail is the day you give up. Passion is everything to the neophyte, and sometimes, it's enough. As an independent, especially the first time filmmaker, the problem is in understanding the nature of film storytelling, and most importantly, avoiding the pitfalls of producing your "personal, important" film first. High art and commerce rarely mix for a first time filmmaker, lest that "first time" filmmaker be a product of USC, the AFI, NYU, or some other institution which has both instructed the craft and provided necessary contacts, not to mention many short films in-between. We are in a scary new era. The tools to dazzle are all of a sudden available to the masses. Talent and tenacity are the variables, and hurdles over which only a few can soar. Knowing where the independent fits in this mix is critical, as indie budgets are so microscopic. The independent must be the filmmaker and the marketer - delivering the same sort of things a major does to the standardized methods of distribution. You must dot the "i's" and cross the "t's" on every detail or your film may languish unwatched, as many, many do... Richard Brown been there, done that ...hoping to help pave the road...