Very low resolution black and white imagery from a real toy video camera, specifically the Fisher Price Pixelvision, was used to good effect in the 1994 film "Nadja" which was nominated in the 1995 IFP Spirit Awards for direction and cinematography. It is otherwise shot in 35mm black and white, and is available on DVD. As to black and white on the cheap, it might be interesting to look at some of the more extended tonal range mid level DVCAM cameras, like the PD150, for black and white purposing, using the excellent tonal controls of FCP 3+, and then maybe reprocessing the field-based video to progressive frames with Marcus van Bavel's DVFilm, which does a very nice job with its clever algorithm. It's important to realize that a compelling story will outweigh technical limitations, so long as there is a professional consistency in the look of a project. Paying close attention to lighting, camera mounts (even for handheld), and perhaps most important, quality sound will pay off in the long run regarding a microbudget DV originated project. If stuck with a consumer MiniDV camera, which rarely have manual exposure, the trick might be to to use keyframe based tonal control at the end of the edit, again with FCP 3+. The real problem with consumer cameras is varying exposure and focus. Exposure, you might be able to correct in post, but any focus "swimming" should immediately dictate another take. Focus, or, rather the automatic lack of focus, would be the doom of any production, save perhaps for a documentary. Richard Brown