this was a great post. thanks. on 6/1/03 3:44 AM, Granville Kennedy at gskiii at telerama.lm.com wrote: > So far, Jim has covered pretty much all the bases except for the audio > and MIDI. For that I'd suggest a M-Audio Audiophile 2496 PCI card. My > father sent me his since it won't work in his StarMax and I've been > real pleased with it. Being able to run my really old Grateful Dead > cassettes through a 24-bit converter instead of the built-in 16-bit > audio of my dual 867 has made a world of difference. I can actually > run them through the noise reduction in Amadeus and not have it sound > like there are holes in the music. It provides analog in and out, > S/PDIF (digital coax on a RCA plug) and MIDI in and out. I've got the > MIDI in plugged into the MIDI out of my Beheringer V-Amp modeler, but > I'm not sure if I need MIDI software to get it to play through the > speakers connected to the computer. The card also supports 5.1 > surround sound on the S/PDIF lines, which I guess can be run into an > A/V receiver - but the only spare receiver I have can only emulate the > effect and I'd need to get some more speakers anyway. Besides, you > need some pretty expensive software to create anything with 5.1 sound. > Right now I'm not willing to spend $99 for SoundSoap, especially since > I can get good results with the 2496 card and the shareware Amadeus - > which btw was recently upgraded to handle AAC files among other goodies! > > For doing documentaries and shorts, you may be able to make do with > Final Cut Express, but if you can get Final Cut Pro at the education > discount price, by all means go for that. FCP may be able to handle > all of your audio needs as well, but I'll work some more on the MIDI > stuff, like maybe some night when I can't sleep and I've found one of > my missing guitar picks... > > As for DV cameras, most folks on this list recommend Sony's - but I've > been real pleased with my Canon Optura 200MC. It is the cheapest and > smallest Canon that has the optical image stabilization system, but > since it has only one CCD it really isn't suited for professional DV > work. For that you need a 3-CCD camera. Generally, optical image > stabilization is better than digital image stabilization, 3-CCD's will > give truer color reproduction than 1 CCD, and the better the optics, > the better the final result. > > For the sound you will probably want to use some different microphones. > Any built-in mic on the camera is going to pick up the noise of the > camera working and other extraneous noise as well. All the stuff I've > read suggest that folks are much more forgiving about poor camera work, > but will quickly dismiss anything that has poor sound quality. At > least get a shotgun mike that can clamp onto a brace on the camera, > perhaps a lav mike and something to work with for the voice over stuff > as well. > > Regards, > Joey Kennedy.