Hi, Richard, Have you had any reason to do green screen from Mini-DV footage? I'm curious to know how that's worked. I have two projects that make use of green screen to fly people around in a concrete pipe. IF I'm very careful I can get clean edges that don't "flutter" due to what appear to be aliased edges around the video being keyed. Takes a bit of time to get right. Am hoping to have a G5 and FCP 4 by the time I need to post the second project and hope that improves things noticeably. Ted. > From: "Macintosh Digital Video List" <MacDV at lists.themacintoshguy.com> > Date: Sun, 29 Jun 2003 07:30:56 -0700 > To: "Macintosh Digital Video List" <MacDV at lists.themacintoshguy.com> > Subject: MacDV Digest #2271 > > > I've been hammering FCP4 since before it was in general release (well, > by a day or so) and so far it looks spectacular, overall, but in need > of updates. Typical of any new software release. The edit I first > worked upon had enormous amounts of multilayered 3 Color Corrector work > (2-5 iterations in notches) where the new and improved smoothing tools > redefine color correction power. And CLEAN at the edges, even soft, > moving ones. Very nice. These tools made it possible to match outdoor > scenes shot hours apart (totally different lighting conditions) with > quite acceptable results. And the tweaks were faster, to be sure. > > Richard Brown > > On Saturday, June 28, 2003, at 05:29 AM, Chris Searles wrote: > >> >> On Samstag, Juni 28, 2003, at 08:31 Uhr, Richard Brown wrote: >> >>> 1) FCP4 likes to gobble RAM, 1336 MB out of my 1500 MB. >>> >> >> Interesting comment, but from this recent posting on the Macworld >> forums you get a completely different impression: > > > ------------------------------ > > Date: Sat, 28 Jun 2003 12:40:53 -0700 > Subject: [MacDV] Why a G5 does not work for me > From: Richard Brown <richard at go2rba.com> > Message-Id: <6E26F48C-A9A0-11D7-B968-000393B3BF58 at go2rba.com> > > The mentioning of Premiere and a Sony Media converter absolutely makes > a G5 and Final Cut a non-issue. Premiere is "nice" for what it does, > but, while it may be in the same state, it is certainly nowhere near > the stadium where Final Cut and Avid duke it out for nonlinear > supremacy at the professional level. Were I holding Avid stock, I'd > pray their networking, storage, audio, and other non-editorial > divisions would prosper quickly as the principal issues with the Media > Composer family become pragmatic cost and legacy value in a nonlinear > world being redefined by Apple. > > Richard Brown