Here are excerpts from three messages I saved, including a do-it-yourself project that solved the "no projector" issue. I did not find a message I remember (might have been on the iMovie list) that had a strong recommendation for an online vendor who did a wonderful job at a good price. If you want to search the archives or subscribe, here is information: To view the list archives or change your delivery preference please go to: http://groups.yahoo.com/group/iMovie-List/ Yahoo! Groups Links Shirley "Here is the place where I got the super 8 transferred to video--it's an outfit called Film & Video Services in Minneapolis: http://www.filmvideoservices.net/ I would suggest giving them a call and talking to them about the job. They are nice and very helpful. They actually splice your individual 50 foot reels onto bigger 300 foot reels, I guess to save time during the transfer. They don't charge extra for the splicing and the reel, but I don't know if you want your family films put together like that (on the other hand, you can choose the reels to be spliced together, so you could create some thematic reels or whatever). The only a problem I had with the transfer was occasionally the frame line would show, but there must have been somebody there watching the transfer while it was happening, because after a while it would get corrected. Overall, I have to say I have never seen a super 8 transfer look that good. I got 15 reels done for just over $100." ------------------ I have had good results in converting original 8mm film to MiniDV from an outfit called "ThreeH". The e-mail address to start is: jkhenry at threeh.com. Using my ZR10 to drive the (newly created) MiniDV tape, I had no trouble importing to iMovie. ------------------- I bought a variable-speed regular-8/super-8 movie projector on eBay for $70 (they range from $50-$100+$20 shipping). As I've done transfers, I've done the following: 1. Aim the projector at the inside of a white binder. You can also use a video transfer box (i.e., a mirror and piece of ground glass), but I found the binder had less "glow" around bright objects. Some people also use a clean whiteboard, spray-painted piece of foam, etc. You could also use a movie screen, but the contrast goes down the further away you put the image, and the texture starts to show if it's too bumpy and too close to the projector. 2. Aim the camcorder at the image. In the case of the transfer box, the light bounces off of the mirror and goes through the ground glass directly into the camcorder. In the reflective methods, you just point the camera at whatever you're projecting the image on, and try to get the camera as close to the lens of the projector as you can so that you're not getting too much of an angle. As long as you're pretty close, there isn't any noticable "trapezoid" effect. 3. Plug the camcorder into an external TV to use as a monitor (angled away from the movie screen so as not to cast light on it). I do this so that I can adjust the focus, zoom, brightness, etc., with more precision that I would be able to do if I had to use the tiny fold-out screen of my camcorder. Also, on a more practical note, the projector's controls are on the right and the fold-out screen is on the left, so I can't put them close together if I open the fold-out screen of the camcorder. 4. Adjust everything. a. Start playing a movie, and get the projector into focus. b. Adjust the position of the camcorder so that the image is centered (might require adjusting various tripod legs, twisting the camcorder on the tripod, raising & lowering the camera, etc). c. Adjust the zoom so that the TV (camcorder) can't see any of the dark edges. miniDV will actually capture slightly around that anyway, so you don't have to feel like you're "losing" anything on the edges. Once I think I have the position and zoom right, I nudge my camcorder slightly up, down, left and right, and make sure the blackness is just beyond the borders of what I'm zoomed into. d. Adjust the focus on the camcorder. You can stop the projector for a moment, turn on the light, and carefully hold a piece of paper with some printing on it while you manually adjust the focus if you want. Or you can just let the camcorder auto-focus, which I've found is just as good. I do like to lock the focus once it is right, though, because sometimes in dark conditions the camcorder can get confused. e. Adjust the variable-speed knob on the projector until the movie doesn't flicker or pulsate on the TV screen. f. You might want to set the exposure to manual and adjust it as you record, or you might just let the camcorder to its best. 5. Rewind the movie, and start recording. Don't forget to make shadows on the screen when the movie's over! ("Yeay! Shadow time!" as my 2-year-old says). I've found that the movie certainly looks better on the screen than it does on video. Camcorders just don't have the dynamic range to handle the high contrast between the bright scenes and the dark ones. On the film, you can see the bricks in the shadow at the same time as the sun reflecting off of the lake, but on the camcorder you have to choose one or the other. On the camcorder, you have a narrower range, which you can slide around with the "exposure" dial, but which ultimately you can only use to decide which part of the dark-to-light spectrum you want to capture. I also notice that the colors are much less colorful when captured onto the camcorder. Bright red flowers come out as slightly red. Bummer. On the other hand, once I realized that it wasn't going to be as good as the original, I started to relax a little bit about making sure this was completely archival quality, and decided to just capture the stuff that would be interesting to watch just to make it more convenient to do so. Eventually someone will come up with an inexpensive attachment to a slide scanner that will allow consumers to scan their own 8mm film and create digital movies directly from the scans. At that point the mismatch in frame rate will also not matter--you will be able to just set your computer to play the movie back at the original 18fps. On Aug 3, 2004, at 1:10 PM, Nick Scalise wrote: > Hello, > > I've looked through the archives and I see there is plenty of > information regarding Do-It-Yourself 8mm film to DV transfer using a > white card, multiple speed projector and an adjustable shutterspeed DV > Camcorder. > > Unfortunately, I do not have the projector, the camera (will borrow > one when the time comes to transfer to harddrive) or the time. >