On Friday, Jan 30, 2004, at 20:59 Europe/London, James Asherman wrote: > Who would ever think of combining a psychedelic framework with a > roots-rock sensibility? But Flint Michigan do just that on their debut > album, playing music that is oxymoronically both earthy and cosmically > expansive, often in the same song! Mash up the Byrds, Lou Reed, Neil > Young, the Band, Tom Petty, Midnight Oil, and zydeco, cross-reference > them with the dynamics of psychedelia, and you come out with Amber > Waves. Odds are, this album would probably go into the roots-rock bin > at the record store, but how many roots albums contain a song about > space aliens? With Flint Michigan, such a dichotomy is commonplace; it > is the type of whimsy that is pulled off with humor but also adds a > certain poignancy to the album. Perhaps the band's rootsiest element > is the vocal prowess of Dennis Katsanis, a sort of variation on the > Tom Petty/Lou Reed aesthetic that works surprisingly well amid the > spacy qualities of much of the music. "Passion" opens with a lost > new-wave riff circa 1982, but mutates into a beautiful psychedelic > jam. Extended improvisation is a part of the Flint Michigan > repertoire, but it is rarely excessive or detrimental to the song. > "Misdeed of the Wind" starts out with a solid groove before moving > into gorgeous Middle Eastern guitar progressions. Part of the reason > that these extended passages do not come apart is the straight-ahead > chug of the rhythm section and Tom DiPaolo's lap steel guitar work -- > sort of like Dire Straits riffing on psychedelia rather than jazz and > blues. Instrumentally, the band is powerful, led by the double-guitar > attack of Jim Asherman and Katsanis. Mostly recorded live in the > studio with few overdubs, the album sounds fresh and invigorating. The > only thing holding the album back is its thematic and stylistic > spottiness: it moves from zydeco-flavored jams to earthy rock to nervy > psychedelia without any sort of coherence. It ends up sounding more > like a collection of singles than a consistent album. Still, the > songs, taken on their own merits, are never less than strong -- and > sometimes go much beyond that. ~ Stanton Swihart, All Music Guide You need to beak up your copy a bit - that's kinda hard to read after a long day! (Worth it though) :-) Colin McDonald