<br><font size=2 face="sans-serif">I WISH!!!! Though it's a little
bulky to take on family trips.... ;-) Apparently Sony are going
to work on that and make it a smaller camera in the future... possibly
to capture more of the richer side of the consumer market.</font>
<br>
<br><font size=2 face="sans-serif">No I have the Panasonic GS400 which
purports to capture in true 16:9 cinema mode (apparently there are more
pixels on the CCD to capture in 16:9). Though I do remember reading somewhere
that true 16:9 is a larger pixel count than the Panasonic captures in.
Either way I'm still happy with what I've seen from the GS400 so far. The
only down side on this camera is that the image in the LCD is squeezed
narrow (doesn't appear as letterbox) but it's not too bad when you get
used to it.</font>
<br>
<br><font size=2 face="sans-serif">Coj</font>
<br>
<br>
<br>
<br>
<br><font size=1 face="sans-serif"><b>Kunga <Kunga@FutureMedia.org></b></font>
<br>
<br><font size=2><tt>Do you have the new Sony HDR-FX1 Cojcolds?<br>
<br>
k<br>
<br>
On Feb 9, 2005, at 4:47 PM, Brett Conlon wrote:<br>
<br>
><br>
><br>
> 3rd time's a charm.... 8-)<br>
><br>
> I've been shooting in 16:9 recently (trying to look to the future)
and <br>
> I'd love to know what kind of impact it will have on my projects.<br>
><br>
> For example, approximately how much larger will a 30 min DV capture
<br>
> file to the Mac be compared with a 30 min 4:3 capture file?<br>
><br>
> In regards to my earlier questions about authoring high quality DVD's,
<br>
> will having 16:9 footage mean I will have to reduce the length of
a <br>
> DVD project to keep the quality up?<br>
><br>
> Example:<br>
> 4:3 single layer DVD = 1hr<br>
> 16:9 single layer DVD = x mins<br>
><br>
> Ta muchly,<br>
><br>
> Cojcolds<br>
</tt></font>
<br>