I (still) use Studio Vision for this. This is the one feature that Studio Vision has that no one else seems to that keeps me from switching. In SV I can assign any sequence to a keystroke combination and/or MIDI key. The sequence that is triggered can be midi or audio or both. You can 'queue' sequences to audition different sequence combinations, or record them into a new arrangement. Is this what you're talking about? If there are other applications that can do this (esp. OS X) I'd like to learn of them. These days SV is a free download but is unsupported... http://www.opcode.com/downloads/ thanks -jim On Jul 14, 2004, at 4:30 PM, luke wrote: > > On Tuesday, July 13, 2004, at 11:52 PM, Geoff Kaiser wrote: > >> What you described for audio basically just sounds like a sampler... > > > no way... i've been using samplers since the beginning - not what i > am talking about. > >> If you wanted you could use your various song sections as samples and >> trigger them >> when you wanted; > > i could also dig out my 4-track recorder and use that - and start > splicing. > > what you told me is what every single person on the Steinberg forums > who doesn't entirely understand the power of the concept says.... > > ...using a 'sampler' in this case would take forever... there goes > the whole idea of rapid composition... streamlining workflow... > etc.... > > with your suggestion we just went from: > > 1.) select range of material (any midi, audio, controller data, > automation data, etc) > 2.) assign to key (midi or keyboard) > 3.) start recording > 4.) play into arrangement > done. (this is my method/idea) > > now with your idea... > > 1.) start soloing/muting tracks > 1.5.) also turn off effects for export - we want the effects > to be generated for real > not from the recording - other wise we'd have to do this whole export > process over > every-time we want to change the effects in production > 2.) export as audio > 3.) generate sampler instance > 4.) load audio track as sample (maybe being large files and using more > memory) > 5.) assign the sample(s) to some midi keys... > 6.) try to set up the level of the played sample to be identical to > the original > 7.) set the mixer track to be that same as the tracks of the > originally recorded material so that the same eq/effects etc are > achived... > 7.5.) not entirely possible since we may need to adjust the effects, > eq's or levels of just ONE of the originally exported tracks... > 8.) start recording > 9.) play the sampler at the appropriate places... > > > i do NOT understand why NOBODY get's this... > > maybe i just do not explain it right. > > the "Sampler way" - SUCKS BIG TIME. > > there are SO many problems with it. > > my way keeps everything in tact. > > > >> I know a couple guys who used to record this way, >> triggering song sections with samplers and using an ADAT as a master, >> before >> they got ProTools... > > exactly - BEFORE they got a better tool to try to do it. > > now they would laugh at anyone who would use the antique method of > samplers. > > one day when someone understands my idea and implements it - I'll > breathe a big sigh of relief and smile. > > > > > ---------- > Check out the MacProAudio email list FAQ > http://www.themacintoshguy.com/lists/MacProAudio.html > > To unsubscribe, E-mail to: <MacProAudio-off at lists.themacintoshguy.com> > To switch to the DIGEST mode, E-mail to > <MacProAudio-digest at lists.themacintoshguy.com> > Need help from a real person? Try. > <MacProAudio-request at lists.themacintoshguy.com> > > ---------- > $14.99 Unlimited Nationwide Mac Dialup and Mac Web Hosting from your > Mac ISP Serious Mac Internet Solutions From NineWire! > http://macinternetaccess.com > > iMic | Griffin iMic! Add Audio in and out via USB. > Dr. Bott | <http://www.drbott.com/prod/imic.html> > > Cyberian | Support this list when you buy at Outpost.com! > Outpost | http://www.themacintoshguy.com/outpost.shtml >