[MacDV] Film Strip Scanners
Danny Grizzle
danny at mogulhost.com
Sat Dec 28 09:49:37 PST 2002
On 12/28/02 10:11 AM, "Steven Romero" <leromero71 at earthlink.net> wrote:
> Does anybody have any experience with these and can show me a little light
> as to which way to go?
Don't underestimate the difficulty, time requirements, & hardware necessary
for working with large numbers of still images.
You will need:
1) A film scanner. Cheap ones ($200) are low resolution,
TV quality. Better ones ($2000) are suitable for archiving
and high resolution applications such as publishing. Hi res
acquisition is better, even for low res applications like
video.
I have a Nikon Super CoolScan. Nikon has a long history with
film scanners. Current models include infared features which
can minimize problems like scratches.
If you don't mind older SCSI instead of Firewire, you can
get amazing bargains on closeout film scanners. B&H Photo was
selling a discontinued Canon $2000 film scanner for less than
$300, SCSI only.
Do not be deceived by flatbed scanners with transparency
transparency adapters. These are invariably crude, poor
quality scans. They are also slow, usually.
Good images begin with good scans. This means tuning and
tweaking individual images. Time consuming, requiring a lot
of expertise. Color separators who scan images for magazines -
this is a career specialty, one of the highest paying
positions in the printing trades, for a reason. Most people
don't have suitable knowledge to make critical decisions.
Do you understand how the resolution of your scanner, your
monitor, and your intended application interrelate? Do you
understand color theory & color management systems, phosphers
& pigments, additive & subtractive color theory?
Most people approach this very simplistically: "I know what I
like." True... I know I like music from a piano, but building,
tuning, and playing the piano are a large subject. I'd compare
color correction to tuning a piano, except tuning a piano is
easier, considering there are objective ways to measure pitch.
Color correction, on the other hand, is entirely subjective,
totally dependant on operator skill.
2) A massive hard disk. I use a LaCie d2 120 GB ($269 street)
for this application. Buy at least one big disk; extras if
you can.
3) An archive plan. CD-R? DVD? Tape? Must take into consideration
impact on cataloging software.
4) A plan to catalog images. They are useless if you can't find
them. Extensis Portfolio and Canto Cumulus are the mid-tier
choices. (Far better than freebies like iPhoto & software
supplied with various scanners & digital cameras.)
<http://www.extensis.com/portfolio/>
<http://www.canto.com/>
Pros & Cons
iPhoto is excellent, except it falls apart when managing
large image collections, or when it becomes necessary to
relocate images collections to offline media such as CD-R,
or split collections onto new hard disk mechanisms.
(File management is a problem with all image catalog
programs -- you better watch your p's & q's, or else
your catalog is out of sync with actual physical location,
should you move image files manually using conventional
OS drag & drop.)
Portfolio & Cumulus both offer $$$$ industrial server
capabilities, but may fall short of needs of a major
application such as a news organization or stock agency.
Portfolio is more accessible to the consumer, in my
opinion, but Cumulus has better meta tag capture &
management, which may be important in the age of digital
imaging. Both are roughly comparable, and may leap frog
each other one version to the next. Plenty of reviews
online.
5) Software. I use these tools:
Photoshop <http://www.adobe.com/photoshop/>
Debabelizer
<http://www.equilibrium.com/Internet/Equil/products/DeBabelizer/>
GraphicConverter* <http://lemkEsoft.com/us_gcabout.html>
VueScan* <http://www.hamrick.com/>
Panorama w/Image Pack <http://www.provue.com/>
* Macintosh only. All programs compatible with OS X.
Panorama runs in OS 9 Classic mode only -- a pain,
perhaps, but this superb software compensates.
6) After all above, things start to get complex. Because you
will want to manage multiple resolutions, show your image
collection on the web, etc. Thumbnails, preview, and hi res
versions. Galleries, various color spaces (RGB, CMYK, etc.)
My point: even if you have all the tools (I do), serious
still image management is a major, time-consuming, and
expensive undertaking.
Danny Grizzle
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