On 12/28/02 10:11 AM, "Steven Romero" <leromero71 at earthlink.net> wrote: > Does anybody have any experience with these and can show me a little light > as to which way to go? Don't underestimate the difficulty, time requirements, & hardware necessary for working with large numbers of still images. You will need: 1) A film scanner. Cheap ones ($200) are low resolution, TV quality. Better ones ($2000) are suitable for archiving and high resolution applications such as publishing. Hi res acquisition is better, even for low res applications like video. I have a Nikon Super CoolScan. Nikon has a long history with film scanners. Current models include infared features which can minimize problems like scratches. If you don't mind older SCSI instead of Firewire, you can get amazing bargains on closeout film scanners. B&H Photo was selling a discontinued Canon $2000 film scanner for less than $300, SCSI only. Do not be deceived by flatbed scanners with transparency transparency adapters. These are invariably crude, poor quality scans. They are also slow, usually. Good images begin with good scans. This means tuning and tweaking individual images. Time consuming, requiring a lot of expertise. Color separators who scan images for magazines - this is a career specialty, one of the highest paying positions in the printing trades, for a reason. Most people don't have suitable knowledge to make critical decisions. Do you understand how the resolution of your scanner, your monitor, and your intended application interrelate? Do you understand color theory & color management systems, phosphers & pigments, additive & subtractive color theory? Most people approach this very simplistically: "I know what I like." True... I know I like music from a piano, but building, tuning, and playing the piano are a large subject. I'd compare color correction to tuning a piano, except tuning a piano is easier, considering there are objective ways to measure pitch. Color correction, on the other hand, is entirely subjective, totally dependant on operator skill. 2) A massive hard disk. I use a LaCie d2 120 GB ($269 street) for this application. Buy at least one big disk; extras if you can. 3) An archive plan. CD-R? DVD? Tape? Must take into consideration impact on cataloging software. 4) A plan to catalog images. They are useless if you can't find them. Extensis Portfolio and Canto Cumulus are the mid-tier choices. (Far better than freebies like iPhoto & software supplied with various scanners & digital cameras.) <http://www.extensis.com/portfolio/> <http://www.canto.com/> Pros & Cons iPhoto is excellent, except it falls apart when managing large image collections, or when it becomes necessary to relocate images collections to offline media such as CD-R, or split collections onto new hard disk mechanisms. (File management is a problem with all image catalog programs -- you better watch your p's & q's, or else your catalog is out of sync with actual physical location, should you move image files manually using conventional OS drag & drop.) Portfolio & Cumulus both offer $$$$ industrial server capabilities, but may fall short of needs of a major application such as a news organization or stock agency. Portfolio is more accessible to the consumer, in my opinion, but Cumulus has better meta tag capture & management, which may be important in the age of digital imaging. Both are roughly comparable, and may leap frog each other one version to the next. Plenty of reviews online. 5) Software. I use these tools: Photoshop <http://www.adobe.com/photoshop/> Debabelizer <http://www.equilibrium.com/Internet/Equil/products/DeBabelizer/> GraphicConverter* <http://lemkEsoft.com/us_gcabout.html> VueScan* <http://www.hamrick.com/> Panorama w/Image Pack <http://www.provue.com/> * Macintosh only. All programs compatible with OS X. Panorama runs in OS 9 Classic mode only -- a pain, perhaps, but this superb software compensates. 6) After all above, things start to get complex. Because you will want to manage multiple resolutions, show your image collection on the web, etc. Thumbnails, preview, and hi res versions. Galleries, various color spaces (RGB, CMYK, etc.) My point: even if you have all the tools (I do), serious still image management is a major, time-consuming, and expensive undertaking. Danny Grizzle