Well, can't disagree with the rewriting recommendations... on 5/12/03 7:12 PM, Matthew Guemple at mo.og at verizon.net wrote: > Come on guys... he hasn't written a word yet. > Write the story, then worry about breakdowns and all that junk. > Just pound it out on a typewriter and get people to read it... then > rewrite it, then rewrite it, then rewrite it, then rewrite it, then > rewrite it, then rewrite it. Don't get me wrong I'm not putting the > software down, it's great but only really useful when you have > something that resembles a story that could possibly make a decent > script...! > > That's why I suggested starting out with a treatment. How many times > have you had a great idea for a film... and then started to put it on > paper and realized that it's only funny when you're stoned... or > whatever. For me many, many, times... though not the stoned anymore... > :( > > I'm going to send him a basic Word format thing. Once he's actually > written it gotten feedback, rehearsed it with some actors so the > dialogue does not sound stiff and weird, had a DP or producer make > their comments.... THEN buy the software and start really polishing the > beast. Otherwise you are just putting lipstick on what could turn out > to be a pig. > > STORY STORY STORY... get that first. > > That's all I'm saying... > > > On Monday, May 12, 2003, at 09:57 PM, Illovox Media wrote: > >> You guys do not know what you are talking about. A program like final >> draft >> does many things no Word program will do, like create spot breakdowns >> of >> which scenes a character appears in, along with scene descriptions, so >> you >> can track a character's arc, like transform note cards into scene >> outlines >> and vice versa, like count locations, etc, etc, Final Draft is one of >> the >> most wisely and widely used programs, and it's worth the $150 just to >> save >> the time creating all those Macros Word makes it so blamed difficult >> to do >> in the first place...