If you're looking to do big audience projects I would think you would want to go with a 3-chipper. But personally, for a one CCD, I have been very happy with the ZR-60. The picture is good, even in unlit interiors, the sound picks up better than expected, and the firewire interface has been without error, and all for $300-something bucks, I think that makes it tough to beat. jb > From: beliefpictures at mac.com > Reply-To: "Macintosh Digital Video List"<MacDV at lists.themacintoshguy.com> > Date: Wed, 12 Nov 2003 15:12:44 -0500 > To: "Macintosh Digital Video List" <MacDV at lists.themacintoshguy.com> > Subject: [MacDV] Sony TRV-33 16:9? > > for some time I have been considering what good single CCD to buy. I > was looking at the canon ZR-60 but after hearing the bad reviews and > horror stories I decided to not bother with it. I am thinking of either > the Sony TRV-19 or 33. My main issue is with shooting 16:9. I am > assuming the TRV-33 does not have true 16:9 What would be the > difference shooting with a TRV-19 with an aspect ratio of 4:3 and then > just letter boxing it in Final Cut Express? I mean if the TRV-33 > doesn't have true 16:9 anyway. The reason I am asking is this is for a > indie flick I am putting together and a wide screen look is preferred > when viewing at film festivals on wide screens.