On Saturday, January 10, 2004, at 06:33 PM, Colin McDonald wrote: > > On Saturday, Jan 10, 2004, at 19:11 Europe/London, Mark M. Florida > wrote: > >> On Jan 10, 2004, at 1:01 PM, Brett Koonce wrote: >> >>> It's an old film trick, synching gates. Nowadays, there's an easier >>> trick: just find a LCD monitor to film. >> >> Or use 60 Hz -- not very good to look at first-hand, but should >> transfer well to video (NTSC, right?). If your shooting PAL, maybe >> 75 Hz? Or you could adjust the frame rate of your camera to as close >> of an even multiple of your scan rate as possible -- like set your >> computer to 60 Hz and your camera to 1/30 sec. 85 and 15 to go the other way. > > I remember watching a television shoot in a set with a prominent > computer monitor. The camera operators synced their cameras together > and then varied the sync signal a wee bit up and down until the > flicker and lines disappeared from the image of the monitor. > > Just because the frame rate equalled the flicker rate (unlikely > anyway) would not necessarily give a clean image - you might just as > easily get a fixed black line or other lines. There's more to it that > that. > > There must be someone on the list with studio experience of this kind > of issue. > > Colin McDonald > > You want to run the monitor at 60hz and genlock it to the camera or vica versa. That not being practical, I say, up the monitor rate and lower the camera frame rate, till it stabilizes. J (Untrimmed)