It's called Clear Scan, and it's built into some cameras. There are also 3rd party devices to attach. One was made by J-Lab and had a small box that you used to raise or lower the shutter speed to match the computer monitor. If you don't have a camera that can do it you should either shoot the video on an LCD or run it through a scan converter and record it. sb On 1/10/04 3:33 PM, "Colin McDonald" <cmmcdonald at mac.com> wrote: > > On Saturday, Jan 10, 2004, at 19:11 Europe/London, Mark M. Florida > wrote: > >> On Jan 10, 2004, at 1:01 PM, Brett Koonce wrote: >> >>> It's an old film trick, synching gates. Nowadays, there's an easier >>> trick: just find a LCD monitor to film. >> >> Or use 60 Hz -- not very good to look at first-hand, but should >> transfer well to video (NTSC, right?). If your shooting PAL, maybe 75 >> Hz? Or you could adjust the frame rate of your camera to as close of >> an even multiple of your scan rate as possible -- like set your >> computer to 60 Hz and your camera to 1/30 sec. > > I remember watching a television shoot in a set with a prominent > computer monitor. The camera operators synced their cameras together > and then varied the sync signal a wee bit up and down until the flicker > and lines disappeared from the image of the monitor. > > Just because the frame rate equalled the flicker rate (unlikely anyway) > would not necessarily give a clean image - you might just as easily get > a fixed black line or other lines. There's more to it that that. > > There must be someone on the list with studio experience of this kind > of issue. > > Colin McDonald