-----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 I was reading an interesting article yesterday. It was rather long and involved but the gist of it was that when using a DV camera to convert analog NTSC footage to DV format and then editing it in FCP, the values for absolute black get incorrectly converted and your blacks end up looking milky. Here's the URL if you wish to read it yourselves - http://www.kenstone.net/fcp_homepage/video_levels_nattress.html Since I haven't needed to try this using my Canon Optura 200MC as a pass through converter, (yet ) I was curious and rechecked the manual to see if it indeed lacked the ability to properly make this correction. It doesn't have any options for the pass through conversion process. I've sent an e-mail to a friend that did borrow it to convert some VHS tapes to DVD a while back to ask him if he noticed the washed out blacks. Since he's at Lake George now, I doubt he has access to the DVD's or tapes to double check. And it may not have been a problem for him since he captured the footage in iMovie4 (?) and not FCP. Does any have any idea if iMovie handles this issue automatically or differently than FCP? Is this problem handled by the stand-alone converter boxes like the Canopus models? If so it is yet another reason to invest in some more hardware if I get serious about doing this sort of work. I'll probably need to get a good, small NTSC monitor to run along side my 17" LCD Apple display. As much as I like getting new hardware, I may not be able to afford to get real serious right now :-) Thanks in advance! Joey Kennedy. -----BEGIN PGP SIGNATURE----- Version: PGP 8.0.3 iQA/AwUBQt2qnlLszf0/NU4NEQJx9gCgpme9KDvRuKyNlo5c6qw340nk2JMAoNTO Op2JHBDeESUA3yhZz5T+WgHj =2BIG -----END PGP SIGNATURE-----